Silicate Ontology I
A Material and Social History 1900-2025
Faced with climate crises and resource depletion, architects are increasingly finding new hope in old materials, with processes of circularity broadly lauded as local solutions to global issues. However, these efforts are often hindered by the practical reality that the materials primarily disposed of do not match those deemed worthy of reuse.
Estonian praxis has revealed that circularity is not only hindered by technical challenges, but a slew of semiotic complexities often overshadowed by the dominant technocratic discourse. At their core, processes of reuse stem from cultural value judgments of materials being worth using and reusing. But what constitutes value? How can a material’s social stigma be untethered from its technical potential? This inquiry focuses on one of the most ubiquitous, yet ideologically burdened building materials in Estonia – silicate brick. Coupling its material evolution with the changes in its public perception, we examine the origins and endurance of silicate’s negative connotations. We ask whether – and how – a material so deeply saturated with Soviet stigma might be reborn anew.
Location
Estonian Academy of Arts Gallery
2025
Date
Exhibition built, research ongoing
Status
Iiris Tähti Toom, Henri Kopra, Sebastian Fischer Stripp
Curator
Spatialist Studio
Exhibition design
Fatima-Ezzahra El Khammas, Spatialist Studio
Graphic design
Kaisa Maasik
Coordinator
Erik Hõim
Technical support
Ako Allik and Anneli Ivaste
Photos
EKA Gallery, Eesti Architects’ Association, Estonian Cultural Endowment, Bauroc & Silroc, Põhjala Brewery, Sadolin, Tallinn Municipality
Supported by
Maris Mändel, Triin Reidla, Laura Ingerpuu, Vilen Künnapu, Miia Masso, Laura Linsi, Roland Reemaa, Eneli Kleemann, Ann Kristiin Entson, Ra Martin Puhkan, Siiri-Liis Huttunen, Hannes Praks, Mariann Drell, Kätlin-Karin Lond, Martin Siplane
With thanks to