Silicate Ontology I

A Material and Social History 1900-2025

Faced with climate crises and resource depletion, architects are increasingly finding new hope in old materials, with processes of circularity broadly lauded as local solutions to global issues. However, these efforts are often hindered by the practical reality that the materials primarily disposed of do not match those deemed worthy of reuse. 

Estonian praxis has revealed that circularity is not only hindered by technical challenges, but a slew of semiotic complexities often overshadowed by the dominant technocratic discourse. At their core, processes of reuse stem from cultural value judgments of materials being worth using and reusing. But what constitutes value? How can a material’s social stigma be untethered from its technical potential? This inquiry focuses on one of the most ubiquitous, yet ideologically burdened building materials in Estonia – silicate brick. Coupling its material evolution with the changes in its public perception, we examine the origins and endurance of silicate’s negative connotations. We ask whether – and how – a material so deeply saturated with Soviet stigma might be reborn anew.

Location

Estonian Academy of Arts Gallery

2025

Date

Exhibition built, research ongoing

Status

Iiris Tähti Toom, Henri Kopra, Sebastian Fischer Stripp

Curator

Spatialist Studio

Exhibition design

Fatima-Ezzahra El Khammas, Spatialist Studio

Graphic design

Kaisa Maasik

Coordinator

Erik Hõim

Technical support

Ako Allik and Anneli Ivaste

Photos

EKA Gallery, Eesti Architects’ Association, Estonian Cultural Endowment, Bauroc & Silroc, Põhjala Brewery, Sadolin, Tallinn Municipality

Supported by

Maris Mändel, Triin Reidla, Laura Ingerpuu, Vilen Künnapu, Miia Masso, Laura Linsi, Roland Reemaa, Eneli Kleemann, Ann Kristiin Entson, Ra Martin Puhkan, Siiri-Liis Huttunen, Hannes Praks, Mariann Drell, Kätlin-Karin Lond, Martin Siplane

With thanks to

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